Book by Michael Stewart and Mark Bramble, Music by Harry Warren, Lyrics by Al Dubin and Johnny Mercer
Based on the 1932 novel by Bradford Ropes and the 1933 Warner Bros. film screenplay by Rian James, James Seymour, and Whitney Bolton
Director: Bob Cooner
Musical Director: Dean Mora
Choreographer: Staci Arriaga
Stage Manager: Melissa Dahlberg
Technical Director and Design: Craig Vincent
Auditions will be held on Sunday, November 11 and Tuesday, November 13, 7:00 PM both nights, at the 4th Street Studio, 415 4th Street, Woodland, CA 95695. Callbacks will be Wednesday, November 28 and/or Thursday, November 29, 2018, 7:30 PM.
Rehearsals will be Sun-Thurs, 7:00-10:00 PM, Jan 27-March 7; Sun, March 17, 1:00-7:00 PM (tech); Mon-Thurs, March 18-21, 6:00-10:30 PM (tech/dress).
Performances are March 22-April 14, Fri-Sat @ 7:30 PM, Sun @ 2:00 PM
Peggy Sawyer arrives in NYC from her hometown in Allentown, PA armed with her tap shoes and big dreams. Peggy’s talent catches the eye of a legendary Broadway director, Julian Marsh, who gives her a spot in the chorus of Pretty Lady, his newest show. Pretty Lady stars Dorothy Brock, a classic Broadway diva, who takes an instant dislike to Peggy. When Dorothy is injured during the show’s previews, Pretty Lady looks like it will have to close unless a new leading lady can be found—someone like Peggy Sawyer! Peggy’s rise from the chorus to Broadway star is the stuff of show biz legend. 42nd Street is full of crowd-pleasing tap dances, popular musical theatre standards, and show-stopping ensemble numbers.
Dorothy Brock: female; 40s-50s; an established Broadway star and a diva of the first order; excellent singer; moves well, but doesn’t tap
Peggy Sawyer: female; late teens-20s; young, talented and hopeful; excellent singer, dancer, and tapper
Maggie Jones: female, 40s-60s; co-author of Pretty Lady; a wisecracker; brassy singer; moves well, but doesn’t tap
Ann Reilly (Anytime Annie): female; late teens-20s; sub-principal of Pretty Lady; good singer/dancer/tapper
Julian Marsh: male, 30s-50s; Broadway director/producer; egotistical, brash, and desperate; excellent singer; doesn’t tap
Billy Lawlor: male; late teens-20s; juvenile lead of Pretty Lady; excellent singer (tenor), dancer, and tapper
Bert Barry: male, 40s-60s; co-author of Pretty Lady; comic character role; sings and moves well, but doesn’t tap
Sub-Principals (from Ensemble)
Phyllis Dale: female; late teens-20s; chorus girl in Pretty Lady; good singer/dancer/tapper
Lorraine Flemming: female; late teens-20s; chorus girl in Pretty Lady; good singer/dancer/tapper
Andy Lee: male; 20s-40s; the dance director of Pretty Lady; good singer/dancer/tapper
Pat Denning: male; 30s-50s; former vaudeville partner of Dorothy’s; sings and moves well, but doesn’t tap
Abner Dillon: male 40s-60s; “angel” for Pretty Lady; comic character role; may sing/move, but doesn’t tap
Ensemble (female and male, late teens-30s)
There are many other roles that will be cast from the ensemble. Most ensemble members will need to be good singers/dancers/tappers.
This stage adaptation is based on the much loved classic book by Dr. Seuss and is a lively and engaging theatre experience for children and the young at heart.
Director – Eva Sarry
Stage Manager – Jenn Marchese
AUDITION: Monday, December 3rd at 7pm
This adaptation of “The Cat in the Hat” uses a lot of visual storytelling, so we are looking for actors who can physically express themselves with their bodies. Please prepare one of the poems in the link below, and add some physicality and movement to your interpretation. Memorization is not required but appreciated. Please dress in clothes and shoes you can move in. Any special skills that you can demonstrate (juggling, puppetry, circus skills etc.) would be a plus.
Callbacks if necessary TBD
Auditions will be held at 4th street Rehearsal Hall (415 4th street)
PERFORMANCES: February 22nd – March 3rd (Friday 7:30pm, Saturday & Sunday 2pm)
School Outreach Performances are Thursday, February 28th at 9:30am & 12:30pm
REHEARSALS: Initially rehearsals will be Sundays (5-7pm) Monday,
Tuesday, and Thursday (7-9pm) Starting early January.
Wednesdays will be added as we get closer to opening
Mandatory Technical rehearsal week will be Sunday, February 17th from 12pm to 5pm and Monday-Thursday (February 18-21) from 6:30pm to 9:30pm
SEEKING THE FOLLOWING ROLES:
Casting for “The Cat in the Hat” is very open and flexible, but you must be at least 15 to audition.
The Cat – The epitome of mischief, a showoff who is constantly in wild pursuit of fun. Mischievous and daring. Must be able to multitask and have great balance.
Boy – Sally’s brother. Curious and excitable, but responsible and cautious.
Sally – The Boy’s sister. She is wide eyed and very curious.
Fish – The family fish and parental figure of the story. Anxious, uptight, and stressed out!
Thing 1/Kitten 1 – Part of the kite-flying duo that wreaks havoc on Boy and Sally’s house. Wild and out of control. As Kitten, one of the Cat’s assistants. (Double role)
Thing 2/Kitten 2 – Part of the kite-flying duo that wreaks havoc on Boy and Sally’s house. Wild and out of control. As Kitten, one of the Cat’s assistants. (Double role)
|Mr. Alonso Smith||Brian McCann|
|Mrs. Anna Smith||Patricia Glass|
|Lon Smith||Patrick Jordan|
|Rose Smith||Jori Gonzales|
|Esther Smith||Kirsten Myers|
|Agnes Smith||Marley Michel|
|Tootie Smith||Lilac Buckser|
|Grandpa Prophater||Nathan Lacy|
|John Truitt||Skyler King|
|Warren Sheffield||Erik Catalan|
|Lucille Ballard||Katherine Fio|
|Clinton Badger||Corbyn Holt|
|Peewee Drummond||Zachariah Holt|
|Sidney Purvis||Spencer Alexander|
|Trolley Passengers, Guests at Lon’s Party||Frances Thayer|
|Ballroom Dancers, Carolers, Citizens of||Julia Long|
|the City of St. Louis||Gabriela Acosta|
Erik Catalan (Chip Tolentino)
Analise Langford (Logainne Schwarzandgrubeniere)
Carlie Robinson (Olive Ostrovsky)
Brianne Hidden (Rona Peretti)
Alex Escorcia (Mitch Mahoney)
Bridget Styles (Marcy Park)
Matt Wieringa (Leaf Coneybear)
Erik Dahl (William Barfee)
Gil Sebastian (Douglas Paunch)
|Tom||Nathan Van Laningham|
|Do The Circulation Soloist||Bailey Robinson-Burmester|
|Interplanet Janet Soloist||Amelia Robinson-Burmester|
|Olivia La ‘Mar|
Ushers and Docents
The Woodland Opera House Guild is seeking ushers and tour docents.
Become a guild member and support the Woodland Opera House. Membership is a wonderful opportunity for families and friends to enjoy a night out at the theatre. And of course, there is the good feeling of supporting our fabulous historic Woodland Opera House.
As a State Historic Park the opera house offers tours. The Woodland Opera House is one of the smallest state parks in the California Park system and a designated historic landmark. Share our remarkable history by becoming a tour docent.
Join the Woodland Opera House Guild Thinking about becoming a guild member? These frequently asked questions may help you decide:
What is the Woodland Opera House Guild? The Guild is an organization of men and women who want to insure the success of the historic Woodland Opera House by volunteering their services. Anyone over the age of 16 may join. Children 12-15 years old may join if sponsored by and accompanied to events by an adult member.
Are there lots of meetings? There is an orientation meeting when you first join, then one meeting a year. The Board of Directors meets once a month. Their meetings are open to any member.
How much does it cost? The dues for an active member are $25.00 per year. If you wish to join, but do not feel you can work much, or not at all, you may join as an Associate member. Associate dues are $40.00 per year. We have recently added a family membership for $90 a year. This is ideal for families of 4 or more that reside at the same address.
What can I do as a volunteer? You can: usher at all Main Stage and Family productions and concerts, give out programs, provide help and assistance to our patrons, help backstage, sew costumes, paint sets, help with refreshments, serve on the Board, decorate for the holidays, learn to give tours, help with fundraisers, and many other tasks. There is always need for additional help and something for everyone. Let us know how you would like to contribute.
How often do I have to work? Active members are requested to help out at least 6 times a year. Most members enjoy serving much more than that. Associate members are not required to work, but their services are always welcome. They may sign up to volunteer for any event, performance or concert as they wish.
What’s in it for me? The satisfaction of knowing you are helping keep the Historic Woodland Opera House Theatre vital is your greatest reward. More tangible rewards are seeing the performances and concerts free when you work at them, invitations to social events, and meeting wonderful dedicated people like yourself. Each member keeps a record of their hours served in a binder. Members having 50 or more hours a year are honored at the annual Chesley Awards (W.O.H.’s Academy Award). Membership is a wonderful opportunity for families and friends to enjoy a night out at the theatre and spend some quality time together supporting our fabulous Historic Woodland Opera House.
The Woodland Opera House depends on the generosity of those who help!
Here is our running wish list:
We also participate in the Amazon Smile program, where many of our wish list items can be purchased and shipped directly to us.
It’s convenient and always appreciated!